That’s why there’s a History button, the clicking of which reveals all the edits you’ve made and allow you to go back in time. Since Nectar 2 is a plug-in, your undo/redo commands usually affect your DAW. It’s great to be able to start with a preset, then modify the settings to your taste. There’s even a description of what the preset sounds like, and what kinds of voices it was designed for. These are accessed from the Presets Manager at the bottom of the interface.Īll the presets are organized into musical genres, along with specialized categories for voice overs and special effects. Part of the value iZotope products offer is the large number of factory presets to get you started, as well as get you thinking. So remember to switch back to Mixing mode when you start sweetening after the recording.
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However, the trade off is that the dynamics processors won’t work at their full potential. When running Nectar 2 during recording, switching it to Tracking Mode produces much lower latency. At the right of the interface, you’ll find the input and output faders, along with very tall VU meters. Other modules will offer similar visual feedback. For example, in the Gate module shown in Figure 2, the waveform and the gain reduction trace (shown in orange) allow you to quickly see where the gate opens and closes.
Every module has an enable/bypass button.Įvery module has a window at the top of the interface that offers a visual representation of the audio, as well as the action of the process(es). All modules can be placed anywhere in the signal flow, with the exception of the Pitch module, which must always be first. But to really tap the power of each module, you’ll need to switch to Advanced view.Īll the modules are located on the left side of the interface and the top-to-bottom orientation denotes the signal flow of the audio.
This view allows you to edit the primary controls of each module simultaneously in one window. Overview shows you the primary controls for 10 of the 11 Nectar modules (omitting the Limiter). To make the interface easy to navigate, Nectar 2 has two viewing modes: Overview and Advanced view. All of the controls are larger and offer a finer degree of control. If you ever used Nectar 1 with its butternut squash-colored interface, the clean lines and crisp bronze-colored layout of Nectar 2 will be a welcome sight. It works in VST, VST3, AU, RTAS/AudioSuite, and AAX architectures for compatibility with any modern DAW or audio editor.
The Breath Control Plug-in is designed to reduce or remove pesky inhalations, while the Pitch Editor offers fully programmable pitch correction. Most of the processors (along with a few new ones) are found in the Nectar 2 plug-in. This allows users to select the plug-in(s) with the features he or she requires. Nectar 2 is now a suite of three plug-ins: Nectar 2, Breath Control, and Pitch Editor. I’ve used Nectar 1 for years and have found it to be an invaluable tool for vocal production.
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Not only does that concept save you precious insert slots, but it also keeps all of the controls inside of one control panel, rather than a handful of individual windows that obscure your DAW workspace. That’s why iZotope packed their original Nectar plug-in with eleven effects processors, and crafted them to work specifically with the human voice. By the time you’ve installed a compressor, noise gate, de-esser, and limiter, you have very few slots left for additional plug-ins. Most modern DAWs offer a finite number of effect insert slots.
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